It might help to venture into the Mimi soundtrack bearing in mind that this is Rahman in Tanishk Bagchi territory, and not the fertile playground provided to him by musically-driven directors like Imtiaz Ali. The gigs that have followed- Lekar Hum Deewana Dil and Mom, two songs in Sanju, just the background score in Shikara-have been out-of-character for him, signs of the composer both being unsure of what excites him and losing ground in a new film music culture that places hits on YouTube over everything else. Maybe he got threats from a secret society of film music fans. Whatever the case maybe, if Utekar’s U-turn from cynical to old-school is reason alone to be optimistic about the future of Hindi film music, maybe, it’s time to consider it from the other end-the composer’s end: Is Mimi the kind of film Rahman would’ve taken up 7-8 years ago? Hindi cinema seems to no longer provide him with the kind of canvas worthy of gigantic soundtracks (South still does, I believe)-the last of the kind being the Imtiaz Ali personal epics ( Rockstar, Highway, Tamasha), an Aanand L Rai romantic saga ( Raanjhana), and an Ashutosh Gowarikar historical ( Mohenjo Daro). Maybe it was redemption on Utekar’s part (he did that to a film named after a Rahman classic). Once you’ve hit rock bottom, as they say, things can only go up and believe it or not but Utekar has managed to get AR Rahman for his new film, Mimi.
His extensive body of work for film and the stage earned him the nickname "the Mozart of Madras" and several Tamil commentators and fans have coined him the nickname sai Puyal (English: Music Storm). In 2009, Time placed Rahman in its list of World's Most Influential People. The UK based World Music magazine Song lines named him one of 'Tomorrow's World Music Icons' in August 2011.Laxman Utekar’s Luka Chuppi (2019) holds the dishonourable distinction of perhaps being the first Hindi film soundtrack to have not featured a single original song-a confirmation that we had reached the nadir of Hindi film music’s remix age. He has won two Academy Awards, two Grammy Awards, a BAFTA Award, a Golden Globe, four National Film Awards, fifteen Film fare Awards and thirteen Film fare Awards South in addition to numerous other awards and nominations. Dileep Kumar, 6 January 1966)) is an Indian composer, singer-songwriter, music producer, musician, multi-instrumentalist and philanthropist. Described as the world's most prominent and prolific film composer by Time, his works are notable for integrating Eastern classical music with electronic music sounds, world music genres and traditional orchestral arrangements. Allah-Rakha Rahman ( pronunciation ( help
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